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1.
PERMISSION TO CRY B riff She never asked no one’s permission to cry E A-A-A-A G-G She’s crying anyway Briff With every second ticking off the clock E A-A-A-A G-G She feels a year go by B riff She wonders if she’ll ever know that horrible pain E A-A-A-A G-G Or will it last her life A She’s living the lie G Burning down denying everything that she feels E Trying to believe in the marketing mission G Knowing it’s just dirt in her eyes A She wants to be loved G And love in return til her back is near broken E But she’s gotta get the powerpoint by 1:35 G It’s everything this doing or dying Riffage: B-B-B-BG-G-(2x) A-A-A-A-F#-F#- G-G-G-G-G-G-G A-A-A-A-A-A-A B riffage for two measures B again She had a beau back in 2005 E A-A-A-A G-G He got promoted out B She saw him at a conference just this spring E He waved, she waved right back A They’re living that lie G That lie we all believe in when the rent’s coming due E And there’s still so many pretties on our list we must buy G You know that you can spend your whole life… A She wants to be loved G And mommy always bought her all the things that she screamed for E To stop her when we started, make the pain go away, Anything G but watch her poor baby cry D But mama can’t be your man F# And you can’t be your mama G Not unless you give up on the trinkets and toffee A Not unless you let go the lie - f C#m For something that Microsoft F# Aint’ got no solution for B Though I’m sure that they’re working on it now E A-A-A-A G-G A She aint got the time G And neither does anyone E To read a book or think about the world past her head G That’s why she’s got to finish those slides… B-B-B-BG-G-(2x) A-A-A-A-F#-F#- G-G-G-G-G-G-G A-A-A-A-A-A-A B riffage out…
2.
YOU WANT A MAN G Am You want a man C F G I understand all that G Am Someone to be around C F G For All the little stuff G And it’s all little C Asus From 30,000 feet my dear F G I see you but you don’t see me G And it’s all over C A sus 2 The life we wanted is out for rent F G They got me but they haven’t got you yet C I need another lifetime E To get the good from the one I got F G I’m sorry honey but the overtime is already gone C I need another day E F To get the feeling, back in my arms, in my legs and my heart and my head G Oh you know that I’m hoping Hard I aint already dead C - A Dm - G La la la - la la la la la la la – la la la la- la da da (2X) A And it’s all little D Bsus From thirty thousand feet my dear
3.
Sales Figure 03:06
SALES FIGURE (G-C roll on strings 5-6) I lost my old job F-F! (G-C bit) Thank fucking god F-F! G-C But it Started a tailspin F-F! G-C I ain’t yet recovered from C-F G And now I sing for my supper F G Haven’t even told my mother F G That I’ve become just another Am C G Sales.... figure....... F –F! / G-C / F –F! (instrumental measure) G-C The don’t call it cold F-F! G ...calling for nothing F-F! G-C If you’re out of the office F-F! G-C I’m still in your in-box C-F G And how I sing for my supper F G Shaming my dutiful brother F G He’s shaking hands with Colin Powell Am C G And I am just a sales....figure (bridge) C One of the men I met on this ride G Old neighborhood Tom F Stands about four-nine G I love the guy F One night in Orlando, we sang the blues G to nobody C Drunk like a dog F I closed my eyes G He was Mel Torme E F Mamas -- don’t let your babies go outside at all G F Or the worst could befall them G F C Hit on, by a sales....man F-F! G-C G-C My masters degree F-F! G-C In my own poetry F-F! G-C Aint getting it done for me C-F G So I remain a sales figure E C Until my work is done
4.
EVERYBODY WANTS A PIECE OF YOU E F#m7 B7 A7 everybody wants a piece of you do you want it too? E F#m7 B7 A7 to be broken up decentralized unauthorized F# A E (blues riff) There’s a forgery, so beautiful of you F# A B(and riff on it) Doing all the things you always do E F#m7 B7 A7 aint it wonderful ? when all your little pieces are blown away? E F#m7 B7 A7 and your free to fall, to not be there at all ? F# A your hands are mittens your tongue is stuck in low F# A B you seem to move but its only your shadow ow E Eadd7 A It no little wonder...you’re feeling...outta sync... E A Take five minutes somewhere Ahhh baby let’s think D(barre) A Let’s at least put a date on the calendar... Eadd7 (up on fret 9 there) Maybe next week? A Bm7 E D7 Everybody wants a piece of your mind and all of your body A Bm7 E D7 and you wouldn’t mind it much if they weren’t so grabby about it B D because we’re all so god damn eager to give our limbs away B D A people are lining up everywhere to die, eight hours a day F A D G (at neck) And nobody really planned it out this way Who in their right mind would? G (at third fret) C B Who in their right mind could? E Eadd7 A And it’s no little wonder...you’re feeling...outta sync... E A Take five minutes somewhere Ahhh baby let’s think D A Let’s at least put a date on the calendar... Eadd7 (up on fret 9 there) Maybe next week? E F#m7 B7 A7 everybody wants a piece of you do you want it too? E F#m7 B7 A7 E to be broken up decentralized unauthorized
5.
TERRIBLE TO-DO LIST (D) On my terrible to do list (A ) I got (G) trouble Comin Every (D) day (D) On my soul killing schedule (A) I got (G) trouble comin every (D) day D7 G You say you got more than you can handle A7 D I got more than I can say D7 G You say life’s more than a paycheck A7 D Show me to which god I should pray? Em On-a-Monday morning I’m helping some bank A Give it to the people in every way F# I got focus groups on Tuesday G Focus groups on Wednesday A Focus groups on Thursday A Then I get a chance to drink it off…. (D) On my terrible to do list (A) I got (G) trouble Comin Every (D) day (D) On my soul killing schedule (A) I got (G) trouble comin every (D) day (bridge) D7 G My Outlook’s bleak for the week A7 D No chance for inheritance by the meek D7 G Just when I’m turning the other cheek A7 Some corporate marketing chick is D starting to freak G7 I guess there’s some problem with the D copy G7 She’s staring me down like I killed her D dog A We missed on the brand promise, G7 And there’s no doubting, Thomas D A Someone’s head is gonna have to roll D On my, terrible to do list (A ) I got (G) trouble Comin Every (D) day
6.
REJECTION IN BLUE A G# E it was the best rejection she’d ever received A G# E it made her feel like she belonged A G# E to something bigger and brighter that she’d G F# E ..known all along A G# B - A F# G E (hold) A G# E it was the most encouraging note she’d ever seen A G# E from people at that height B A E her sweat and blood had earned the blue ink G F# E stained with tears, now she cried D A E a cry she felt she’d earned and so enjoyed D A E cause maybe some day soon she’d be employed D E A G D Using her heart, and her mind G F# A G# F# G E Revealing the the soul the world had yet to find A G# E she went to camp ostensibly A G# B to finely tune her prose B A the boys and girls E all noticed her then G F# E the eyes the skin the nose D A E but these ones said they liked her stories too D E they could see inside her heart F#m A through her eyes… of blue A there was one F#m E she decided that she loved A F#m he seemed to really know E who she was F#m B and though, she knew D That was fiction too A she gave him F#m E the tender scene he sought D – A -E D E A G D (apreggite the D) A G# E …it was the best rejection she’d ever received A G# B …the best rejection she’d ever received A G# E ...the best rejection shed ever received G F# E D A She thinks about him sometimes when she E types D A Early in the morning late at E night D E A G D Pouring out her heart and her mind
7.
MY WINGS ARE HEAVY (BUT I THINK WE CAN MAKE IT TO THE SUN) A All the things we want, to be, Em And all the things we want, to have, compete A And when they’re done, there’s just,defeat -- for you and me, Em Oh baby don’t you see? G A It’s time to let go... G A Jump off the cardboard boxes we been standing G A On.... for so long... C G My wings are heavy but -- I think we can make it to the A Sun ....a sphere, that pale old orb of heat and Em Fear, they took away our shady tree A and we’ve been sweating here Em Beneath the fist of some other body’s heaven G A I blame me G A I blame everything I think I need G A Time to let go C G Close our eyes and descend from the roofing to the A Sea...a deeper green than we have ever Em seen before -- it’s swallowing A the difference between Em and making everything so sparkling clean, G A and aus tere G Just like the good old days A Before we got here G A My -- my dear C G My wings are heavy but I think We can make it through the sun....(instrumental verse) End on: C G My wings are heavy but I think We can make it through the A sun....
8.
700 Miles 03:34
700 MILES D-Bm She’s learning the sidewalks A-G bounce of a strange Town where she don’t know the faces D-Bm Her husband just took A-G a new job In the corporate park on the green hills Em up above town Em-addG 700 hundred miles from their home A-Em (2x) G- A and she don’t know if she can D E G -- take another hour of this A(2 measures) D Bm her baby is crying A G A cause she knows that the world is cruel G and indifferent D Bm and mother and dad A G miss their peanut so much A G that they can’t even say it Em on the phone Em (add 7th) 700 miles away A- Em (2x) G A and she know it isn’t right D E G to think so much about going back A(two meausres) Bm E and all the restaurants are lousy Bm they give you that carnation stuff not E cream Bm the BestBuys and the Targets are un- E ending G she didn’t know A she was living the american D dream
9.
JAILHOUSE ROCK B & A chords on the verses is the location for a sus4 stones riff (you’ll hear it) The F# has its own riff pattern too B I swore I was letting you down A F# You didn’t notice so I’m back in town B my pockets wrung inside out A F# got my face in the loveable pout B I climbed a mountain it seemed A F# But now I’m down with the casual jeans E So yeah I’m back again F# Again I’m back again A B and I’m bothered so don’t bother me E they made the walls vanilla F# it’s makin me a killa A B gotta split before they add the whip cream B Got the ship full of ladies in drag A F# All flying their own black and white flags B Not goin down to New Orleans A F# Or F-L-A, where they get them high winds E Oh yeah I’m back again F# It’s me I’m back again A B Yes, I’m making my own misery E they made the ceilings higher F# the guards are set to fire A B and their radios are talking to me!! G#7 E I been lazy with my life B And I’m payin it down A E Watching it burn to ground A E B So damn lazy with this li –i –i –i ife A E Verse (I verse thru -- Instr with leads) Verse B Number 6 says to number 43 A F# Then they both say it to me: B Hey man I thought they let you go free A F# What did you do? Go and lose the key? E- I’m back in solitary F# They saved my cell for me A B -sorry I’m spoken for, don’t talk to me E they made the walls vanilla F# it’s makin me a killa A B gotta split before they’re inking my dreams G#7 E I been lazy with my life B And I’m payin it down A E Watching it burn to ground A E B So damn lazy with this li –i –i –i ife
10.
IDES OF APRIL A-Em-Dsus4–A pattern over: They terminated me on the ides of April Patty read the paper -- she was barely able It made her look better than she ever did G A But with guy from HR right there, I kept my feelings hid A -Em-Dsus4 –A pattern again: I took the envelope and weaved out the door Twenty years to the day It shook my shrinking core G A Almost as if I didn’t know it myself 19 years before (chorus) D A Ask not for whom The bell tolls D A At five and at 9 Bm G It tolls for all mankind A-Em-Dsus4 –A pattern again: I met the welcoming committee at a bar downtown They said you haven’t died brother don’t you look so down G A I drank at two hundred miles per hour for nine innings straight G A I didn’t sleep for another week my wife and kids quiet as Saints D A Ask not for whom The bell tolls D A At five and at 9 Bm G It tolls for all mankind A I got thrown out of my world G into the world D And the world said you ain’t ready yet come back when you’re feelin it A Read a little history, get sober on the misery, D Christ, you’re such a spoiled kiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiid A – Em – D – A (2x) D A Ask not for whom The bell tolls D A At five and at 9 Bm G It tolls for all mankind A Em Dsus4 A I was born on the ides of April My eyes unopened but the body ......able

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CD ONE from House of Brunette's Career Spanning Five CD Box Set, Life in Stereo.

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released November 30, 2013

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The Steve Lindstrom Problem Chicago, Illinois

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